Set in a distant future where life in the universe and space travel is dependent upon a spice found only on the planet Dune, this film tracks the rise of young Paul Atreides, son of noble Duke Leto, from the time of his father's betrayal and murder by the evil Baron Harkonnen, to his discovery of the great secret behind the planet Dune and his own destiny, which is to free the planet and its denizens of the cruel rule of the Emperor; Directed by David Lynch; country Mexico; 6,8 / 10 stars; Release Year 1984;

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I'm a fan of the book, of course. Dune was a great book, top-notch science fiction with a few fantasy elements thrown in for good measure. It's rich, intricate, and involving. Everything a good book should be.

This movie, on the other hand, is the epitome of bad cinema. I'm stunned at the amount of praise this movie has received from my fellow reviewers. It's long, dull, and utterly mystifying. An unbelievably large amount of screen time is given to characters thinking explanations of what is going on. Oh god, the whispering voices, expositing on each scene! It's a nightmare, an interminable nightmare. The script is dreadful and lifeless; I cannot think of one single real conversation. Not one! Most scenes involve "profound" phrases from one character, usually involving a context-less piece of jargon, then the rest of the characters in the scene all stare off into space and think about what was said. There are many times in the movie, where literally 5 or 5 scenes will go by without spoken dialog, all the talking occurring as voice-overs.

The actors have no choice, I suppose, but to be wooden and overly dramatic. It's the script I blame. The only reason the Atreides are likeable at all is because the Baron is a pus-oozing, baby-eating monster. In comparison to any real, human character, Kyle MacLachlan's Paul Atreides seems, at best, a melodramatic bore. At worst, a fanatical robot.

The way the movie is shot and edited - especially the battle scenes - somehow removes any excitement from them. Battles are mostly disjointed shots of people falling over in sand. The special effects are very primitive; any time there's interaction between actors and some kind of SFX, you can practically see the blue screen, since the actors will be one color and the background a different tone entirely. The spaceships look rather ridiculous. And what the hell is a "weirding module"

Some costumes are not bad, but many are ridiculous, like the Harkonnen and Sardaukar body-condom suits. Hah! They look like sewer workers, not the galaxy's most feared shock troops.

All in all, this movie is only fit for a thorough lashing by the robots of MST3K. We found a way to mitigate the boredom; whisper what the characters are *really* thinking. Only by making Paul think "My butt is itchy" could we sit through this disaster.

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Excellent ideas by Lynch from a Herberts good book.
Kyle MacLachlan is great
Lynch has really succeded in getting the right actors for the smaller parts such as Jürgen Prochnow and Max von Sydow. Dűne vadászai. Dunedin fl real estate. Dűne könyv. I know we shouldn't speak ill of the dead, but sometimes Roger Ebert should have refrained from trying to judge pieces of cinema he didn't understand. He gave Dune one star. How magnanimous! The movie doesn't make sense, he said. Rubbish. Not only is the movie a brilliant adaptation of an impossible book, an epic convoluted saga larger than all the epics of human history, but it manages to do it in a hypnotic cinematic style, the sort we now associate with Lynch. The visuals and the music are mesmerising. The cinematography and special effects totally respectful of the novel's sweeping vision. The huge cast do a brilliant job of fleshing out the characters, even the minor ones. The pace and editing are cracking. The basic story of the battle between the Harkonnen and the Atreides and their Fremen allies is crystal clear to any viewer paying attention, even without being familiar with the book.
I've yet to read a negative review by a professional critic that wasn't just full of spleen and devoid of any reference to the cinematic evidence in the actual film. The IMDB users have got the point of it and are far more reasonable in their assessment of the film.
Mr Lynch, I wish you'd revise your relationship to the film, put aside all the studio nonsense you were subjected to, and be proud to own it.

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